January 14, 2013

Why the World Loves all things Scandinavian

Filed under: Inspiration,Talk — Igor Polyakov @ 6:12 pm

With Swedish food sales to the UK increasing by approaching a third over the last five years, and Norway and Denmark also reporting an increase in exports intended for Britain, not to mention the unstoppable rise of Scandinavian detective fiction, in TV, film and book form, from Wallander to The Killing, it’s starting to feel the world has an unquenchable thirst for all things Nordic.

IKEA expansion

But it’s furniture and furniture design that remain Scandinavia’s best-loved exports across the world. Swedish firm IKEA, for example, is on the search for new markets, with India in its sights. The firm expects to retain its Nordic form on products sold in the sub-continent – characterised by functional, stripped design.

At the same time, the world’s largest furniture retailer, now approaching its eighth decade of operation, is also planning on allowing customers to add their own touches to products before they buy them – whether that involves making adjustments to an item like a sofa or creating fabric patterns online using IKEA’s website. (Although items will continue to be mass-produced.)

The 25 stores planned for India follow record sales last year of 27bn Euros. IKEA already sources many of its textiles here. However the company has stressed that it will stick to its traditional designs and what it does best – with no big changes planned for the range it will sell there.

The enduring popularity of Scandinavian furniture

But where did it all begin – and why are Nordic furnishings so enduringly popular?

Following mass-production in the wake of the Second World War, Scandinavian furniture became popular in the first half of the twentieth century, when it began to be exported overseas.

With abundant local forests meaning wood, particularly pine, was a cheaply and readily available natural resource, specialist furniture manufacturers quickly perfected their craft.

Over time, many furniture firms in the region have developed an impeccable reputation for making furniture of an extremely high quality, handcrafted from solid and incredibly strong and long-lasting.

In particular, manufacturers tend to focus on creating a luxurious finish, making the furniture smooth and elegant.

Beware cheap imitations

Given the massive popularity of furnishings from Scandinavia, many of the products have been copied cheaply and rather poorly. However, by continuing to fashion furniture to the same high standard as always, Nordic firms have retained their standing as sought-after producers of solid wood furnishings.

Nordic furnishings: the facts

  • Most furnishings from this part of the world come from Norway, Sweden and Denmark, although Iceland and Finland can also be included in this category Initially, the items were made as a reaction against the furnishings being poduced in the 19th century that were mostly used for artistic, decorative purposes
  • The trademark style of Nordic furniture is its simple, minimalist style and its functional rather than decorative appeal. In most Scandinavian homes, there are few items of furniture, and those which are there have a practical use.

Protecting your Scandinavian furniture

Given its affordability as well as its simplicity, Scandinavian items shouldn’t cost a fortune to insure. It’s also so well made that you are unlikely to need to claim for it breaking. Equally, if you are unlucky enough to be burgled, it’s unlikely that furnishings would be among the items to be taken.

You do need to be sure you are covered, though. You only need to add up the cost of replacing everything in your home to see why adequate home contents insurance is so important.

Unfortunately, most of the circumstances that could involve making a claim, such as fire, flood and storm damage, would be stressful enough without also taking a heavy financial toll.

Rising premiums

And, late last year, it was reported that, while the average cost of car insurance has been falling, home insurance rose over the third quarter of 2012, with combined contents and buildings policy rising by an average of 1%.

The rise has been blamed on last summer’s flooding, which the Association of British insurers says cost around £400m in claims

When it comes to insurance, there are plenty of options from providers like Quotezone home insurance, who among others provide quotes for cover for your buildings and contents. You need home contents insurance whether you rent or own your home to protect your assets and cover the expense of replacing your things if they are damaged or stolen. (These costs are easily underestimated.) Equally, with things like fire or flooding, it’s easy to think it won’t happen to you. And, probably, they won’t – but such events are more common than you may have realised.  

When it comes to renewing your insurance, your existing provider may not necessarily still provide the best deal, so, again, it’s worth shopping around. 

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October 10, 2009

Sous les Cerisiers

Filed under: Blogs,Companies,Inspiration,Interior — Igor Polyakov @ 2:21 pm

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Sous les Cerisiers

Restaurant & atelier
12 rue Stanislas, 75006 Paris
France

www.souslescerisiers.com

The latest restaurant design by Ralston & Bau is an intimate space in Paris that is dedicated to a balanced fusion of Japanese and French gastronomy. “Sous les Cerisiers” (under the cherry trees) is an invitation to taste the delicious cooking of Sakura. Both cultures have influenced the theatrical interior concept. The classic opera and geisha cultures from France and Japan can be seen in the scenographic layers, costumes and shadows cast throughout the interior. A contrast of dark and light spaces divides the room: the bright area with the bar as a center point is used for cooking courses during the daytime, and the dark part, following a perspective angle, including a VIP space to enjoy a gastronomic menu at night. Moveable and translucent walls separate the seating areas for privacy.

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The theatrical influence from the interior design is continued in the development of the visual identity of the “Sous les Cerisiers” restaurant. A traditional textile costume clasp with soft, natural curves was the inspiration for the logo. The menu cards soft golden paper follows up the costume idea: through pre-punched holes a delicate ribbon bound the changeable menu sheets inside. Each menu uses a different style of classical theatre costume ribbon.

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July 14, 2009

W* House / Wallpaper

Filed under: Blogs,Design blogs,Fashion,Furniture,Inspiration,Interior — Igor Polyakov @ 11:47 pm

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http://www.wallpaper.com/whouse/

“About The W* House

We thought it only fair to throw open the doors to The W* House and share with you our wealth of experience in the design world.

From cutlery to cupboards, pots to plumbing, The W* House features our favourite pieces of design from around the globe, room by room. We’ll update them every time we find something new we like, building the collection into an archive for as long as the pieces are for sale.

Practicality isn’t often a buzzword at the Wallpaper* HQ, but when it comes to sharing our finds we wanted to keep things simple, letting you furnish your house the Wallpaper* way, with the click of a mouse.”

Follow us on Twitter: http://twitter.com/wallpapermag

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July 2, 2008

Transplant

Filed under: Architecture,Designers,Environmental,Exhibitions,Inspiration,Norway — Igor Polyakov @ 2:28 pm

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Transplant is a design and business centre which allows you to go from idea to final concept without wasting time. A creative plateform with room for exhibitions, seminars and meetings, a place for small and grand occasions alike. Our tools for design and product development – the material library and the prototype workshop – are unique resources at your disposal.

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The building, which is designed by architect Attila Eris (known for example for his work with Paul Klee Zentrum, Bern, on appointment by Renzo Piano), covers 600 m2 and is situated at the banks of the intimate and beautiful Dalsfjorden. Transplant is an invitation to meet, discover, think, sense and be surprised.

Concept / interior design / facade design / visual identity: Ralston & Bau (http://www.ralstonbau.com)
Architect: Attila Eris

Public opening: June 2007
Creative opening: September 2007

The Cycle of Mutation – Transcreative program 2007 – 2009 Transplant is a platform where design, art, music and new materials work in unison. Here is room for the freedom of thought, experimentation and adventures involving all human senses in an unique surrounding.

Emergence 28.09.07 > 15.02.08
Growth 29.02.08 > 31.07.08
Maturation sept 08 > jan 09
Disappearance feb 09 – jul 09

see more at www.transplant.nu

Photos made by Vegard Fimland http://vegardfimland.com

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May 11, 2008

Mr Di – Black

Filed under: Inspiration,Sweden — Igor Polyakov @ 11:06 pm

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Exlusive tablelamp in black glossy lacquer and Black/gold lampshade. Lampfot is made in baroque style, the lamp gives a very worm soft light.

Mr Di is the large table lamp, and then you can also buy Mrs Di that is the smaller version.

Designer: Markus Hällstrand & Michael Carlsson
Brand: Eli Gnosjö

Via Pid.se

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March 27, 2008

H&M + Marimekko

Filed under: Companies,Fashion,Finland,Inspiration — Igor Polyakov @ 12:26 am

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Image: Fabsugar

H&M decided to dig into the vibrant Marimekko archives and bring back the bold retro prints for their Tribute to Marimekko collection, in stores April 10. Swimsuits, dresses, scarves, tops, and bottoms will all be available in vivid color combos like red and pink, olive and orange, and red and turquoise.

Selected parts of the collection will also be sold at 10 Corso Como Milan and 10 Corso Como Seoul, and at Dover Street Market in London.

Link: H&M

Via Fabsugar

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March 23, 2006

Double Exposure

Filed under: Events,Exhibitions,Finland,Inspiration,Photography,Web — Igor Polyakov @ 6:22 pm

doubleexposure.jpgWe have wrote about talented photographer Uzi Varon in our blog. His Double Exposure project was shown in Helsinki last January and is booked to Tampere for next fall and then to Helsinki again on March 2007.

Thanks to Uzi, he published today the project on his website, and we now able to enjoy it online.

The project contain 27 images made from two photographs taken in Israel and Finland. Compared together these pictures giving amazing and sometimes really moving effect. The music by Jason Carter adding dramatic effect to the show. Worth to take some time for looking.

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March 12, 2006

Reykjavik on GOING TO of NYTimes

Filed under: Inspiration,Talk — Igor Polyakov @ 12:54 am

I noticed one interesting article about Reykjavik in GOING TO section of New York Times:

12going.1.jpgWHY GO NOW In 2006 the United States population will reach 300 million, and Iceland’s will hit 300,000. In national pride, the two countries will remain about equal, which goes a long way toward explaining why Reykjavik, Iceland’s capital, refuses to feel like a small town. About two-thirds of Icelanders live in the city and its suburbs, and if the concentration of museums and galleries, bookstores, excellent restaurants and lively night spots per capita isn’t the highest in any city in the world, it has to be close.

Read the rest of article on New York Times site:

Image: Aaron Meshon

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February 18, 2006

red swirl: homage to Scandinavian design

Filed under: Inspiration,Talk — Igor Polyakov @ 5:42 pm

Link: red swirl

simple-793364.jpgGinevra wrote:

Simple. A plate, a wooden table, a red wall. My homage to Scandinavian design, to its vibrant colours, clear shapes and contrasts of plain wood and plain white. I’m thinking Marimekko, Ikea, Kosta Boda and how what you see as a child influences the designs you like as an adult.

Read more:

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January 24, 2006

Swimming Towards the Light

Filed under: Designers,Industrial,Inspiration,Photography,Talk — Nordic Design Photo Pool @ 4:48 pm

Swimming Towards the Light

Originally uploaded by Reciprocity.

Detail of bubbles in hand made glass vase. Designed by John Orwar Lake for Ekenas Glasbruk AB Sweden

Ekenas produced glass from 1917 until its closure in 1976 and J. O. Lake was its main designer from 1953 until 1976. Vases and bowls with shading colours of gree/blue and yellow/green/pale blue with internal bubble decoration were probably designed and produced in the 1960′s. This was photographed with diffused sunlight shining through to enhance the bubble structure.

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